So how do we actually do this? We need to specify a model by which the bot can learn what sentences are probable, and then produce them. In this manner, we could teach a machine to write like Burns, or Wikipedia, or Shakespeare. The algorithm thus learns to generate sentences that have a high probability in ‘Burns language’ which as you’ll apreciate if you’ve read any of his poems, is not quite the same as normal English. We can go one step further: in order to generate sentences that sound like they were written by Robert Burns, we train upon sentences written by Burns. Similarly, the combination of letters arranged as ‘the’ is very probable the combination ‘xyo’ is not very probable. For example, the sentence ‘I ate some haggis’ has a higher probability than the sentence ‘carpet grab bag leg’. We want the machine to generate words and sentences which seem plausible, which is another way of saying that they have high probability. In both cases, the problem boils down to one of probability. We do this over and over, and we end up with sentences. ![]() ![]() To do this, we have a collection of possible letters (A-Z), and we train the algorithm to select letters that produce real words. The second, more fine-grained option, is to generate words letter by letter. The first strategy is to start with a big collection of words – say all of the words that Burns ever used – and train the algorithm to pick collections of words that form plausible sentences. How can a machine generate meaningful text? You can think of a couple of ways to approach this problem. This year, the ASI team decided to celebrate Burn’s night in a creative manner: building a robot to produce Burns-esque poetry*. Each year on January 25th people throughout the UK come together to celebrate his life, for a night that typically revolves around two of Scotland’s most famous culinary exports: haggis and whisky. This was really nice, because we just shot it and then afterwards could decide what it was.Robert (or Rabbie) Burns was a Scottish poet whose corpus includes ‘An Ode to A Haggis’ and the New Year’s Eve favourite ‘Auld Lang Syne’. It feels “Hollywood.” I want to make films and videos, but not until I know I can do it exactly how I want to. The buildings are wide.Ĭharlotte: It’s really cinematic as well, automatically. That's the one of the things you take from it. We didn't have a lot of time in any of them.Īrchy:Ěmerica is super wide. I think just finding that bag, it was like, "Oh, shit." Toluca, Houston, Tampa, Arizona, all of these places.Ĭharlotte:Ěll the locations were amazing. I could literally map it out.Ĭharlotte: There were some pretty odd places as well.Īrchy: Whilst we were touring, there was a lot of stops in the middle of nowhere, where we weren't playing, but we were staying for one night. I've got hotel keys from every hotel, all of the receipts, everything. I'm like a mass hoarder when it comes to notes and stuff. But even here, like in Biscuit Town, it's the same character experiencing it.Ĭharlotte: Which is a bit separate from yourself, and I think that whenever you talk about those characters, you do reference films and certain people.Īrchy: I actually just found my bag from that tour and I haven't unpacked it. It was interesting, because the song disintegrates into something completely different before the end. And then, he wasn't on the plane.Īrchy: It goes back to being let loose on some beautiful imagery. But we were going to film loads on the plane too. So we couldn't film him anymore, and we missed the competition's deadline.Īrchy: He didn't get left there because he was drunk.Ĭharlotte: No, he got left because they fucked up the visa thing. ![]() Everyone wanted to get drunk, and then Galgo got left in Mexico. We wanted to enter a sci-fi competition and shoot a video on tour in 24 hours, but when we got to Mexico no one really wanted to leave. We were very lucky in terms of the landscapes and the architecture that we got to film against.Ĭharlotte: We had all these amazing locations to film. We'd put on our outfits and go out and film it. My outfit stayed the same and Galgo's outfit kind of stayed the same. Him behind me playing sax and then disappearing. So, the concept of the video became that he’s this important figure that I couldn’t quite get my hands on. Archy: Galgo came along in real life and influenced me to write more and more.
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